JACK BARKLA
Jack is one of the most prolific artists in Minnesota History that you don’t know. That’s because Jack has been working behind the scenes literally creating the scenes for all your favorite venues, events and productions. They call him Mr. Christmas. The Wizard. Someone who can create something astounding out of nothing, according to Minneapolis playwright Barbara Field. A stage designer who has worked on just about every major stage in the Twin Cities beginning in the 1960s, Jack Barkla spent decades creating magic and illusion for Minnesota audiences.
After studying art education at the University of Minnesota in the 1960s, Barkla picked up a part-time job at Dayton’s, painting scenery and backdrops for $1.25 an hour—a wage he thought was “pretty decent” at the time. By 1973, Barkla was in charge of designing the sets for the eighth-floor show. His first complete show was “The Nutcracker.” He chose to design that show in the style of architecture he had seen in Nuremberg, Germany, while studying opera at the Bayreuth Festival Master Classes in Germany in 1967.
Barkla returned to Minnesota after that summer in Germany, left his graduate studies, and soon was hired at the Children’s Theatre, then the Guthrie. Over the next three decades, he often had his hands in multiple productions at multiple venues at the same time—and always the Dayton’s eighth-floor Christmas and flower shows, fashion shows, and other special exhibits.
In December 1977, a writer for Mpls. magazine estimated that some five hundred thousand people would see Barkla’s work that month alone. At the time, he was knee-deep in designing sets for multiple shows. Barkla had created the set for the Guthrie Theater’s A Christmas Carol and Minnesota Dance Theatre’s Nutcracker Fantasy. His original designs were the foundation for that season’s new production of The Little Match Girl at the Children’s Theatre Company. He was also designed Dr. Seuss’s “How the Grinch Stole Christmas,” the eighth-floor holiday show at Dayton’s downtown Minneapolis store that year. It was his fifth year designing the eighth-floor shows, which he continued for years.
When Minnesota governor Rudy Perpich declared December 7, 1989, Jack Barkla Day, the man had more than 1,400 theatrical sets to his credit, and that didn’t include his commercial work at the Science Museum of Minnesota, the Renaissance Festival in Shakopee, St. Paul’s Regions Hospital lobby, and the Festival of Nations, in addition to his work as production designer for several Super Bowl halftime shows, to name a few.
Among his many prized possessions is a framed note from Theodore Geisel (Dr. Seuss), who said Barkla’s work on the Children’s Theatre production of The 500 Hats of Bartholomew Cubbins made him cry. “[Theater is] a group art form, and it’s an act of love, to care so much about doing work that is done for other people,” he said.
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